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ชื่อเรื่องThe deformation [electronic resource] : attention and discernment in catholic reformation art and architecture / Susanna Berger.
LC Call #N7862 .B47 2025eb
ผู้แต่งBerger, Susanna, 1984-
หัวเรื่องCounter-Reformation and art.
 Baroque & Rococo.
 History.
 ARCHITECTURE.
 Christian Church.
 RELIGION.
 SCIENCE.
 ART.
 ART / History / Baroque & Rococo
ISBN0691266123
 9780691266121
 9780691201016
 0691201013
พิมพลักษณ์Princeton, New Jersey : Princeton University Press, [2025]
เชื่อมโยงE-book
ชื่อเรื่องThe deformation [electronic resource] : attention and discernment in catholic reformation art and architecture / Susanna Berger.
LC Call #N7862 .B47 2025eb
ผู้แต่งBerger, Susanna, 1984-
ISBN0691266123
 9780691266121
 9780691201016
 0691201013
พิมพลักษณ์Princeton, New Jersey : Princeton University Press, [2025]
เนื้อหาIntroduction -- Chapter 1. The Cardinal's Perspective -- Chapter 2. Minim Deformation and Revelation -- Chapter 3. Jesuit Deformation and Meditation -- Chapter 4. Obscurity Justified -- Chapter 5. Caramuel's Architectural Reforms -- Chapter 6. Plumier's Ivories and the Incomprehensible.
หัวเรื่องCounter-Reformation and art.
 Baroque & Rococo.
 History.
 ARCHITECTURE.
 Christian Church.
 RELIGION.
 SCIENCE.
 ART.
 ART / History / Baroque & Rococo
เชื่อมโยงE-book
ลักษณะทางกายภาพ1 online resource (325 pages) :illustrations (some color), portrait
LDR 05086nmm a2200673 i 4500
001 on1517398613
003 EBZ
005 20260217143416.0
006 m d
007 cr cnu---unuuu
008 250426t20252025njuac ob 001 0 eng d
020__‡a0691266123‡qelectronic book
020__‡a9780691266121‡q(electronic bk.)
020__‡a9780691201016‡q(hardback)
020__‡a0691201013‡q(hardback)
037__‡a22573/cats24950745‡bJSTOR
040__‡aSUTL
050_4‡aN7862‡b.B47 2025eb
072_7‡aART‡x015090‡2bisacsh
072_7‡aARC‡x005050‡2bisacsh
072_7‡aREL‡x108020‡2bisacsh
072_7‡aSCI‡x034000‡2bisacsh
08204‡a246.4‡223/eng/20250509
1001_‡aBerger, Susanna,‡d1984-‡eauthor.‡1https://id.oclc.org/worldcat/entity/E39PBJvmPx9GPHP3QQfJ3Dbjmd
24514‡aThe deformation‡h[electronic resource] :‡battention and discernment in catholic reformation art and architecture /‡cSusanna Berger.
260_1‡aPrinceton, New Jersey :‡bPrinceton University Press,‡c[2025]
300__‡a1 online resource (325 pages) :‡billustrations (some color), portrait
340__‡gmonochrome‡2rdacc
340__‡gpolychrome‡2rdacc
340__‡pillustration‡2rdaill
340__‡pportrait‡2rdaill
449__‡aE-book, 2026
504__‡aIncludes bibliographical references and index.
5050_‡aIntroduction -- Chapter 1. The Cardinal's Perspective -- Chapter 2. Minim Deformation and Revelation -- Chapter 3. Jesuit Deformation and Meditation -- Chapter 4. Obscurity Justified -- Chapter 5. Caramuel's Architectural Reforms -- Chapter 6. Plumier's Ivories and the Incomprehensible.
520__‡aA fascinating account of the use and meaning of visual and spatial distortions in seventeenth-century art and architecture During the Catholic Reformation, patrons, artists, architects, and viewers, especially in Rome, were strongly drawn to visual and spatial distortions or "deformations"--works of art and architecture that were designed to be visually incomprehensible, at least initially. From Borromini's San Carlo alle Quattro Fontane in Rome to the attention-grabbing prospettiva in the city's Palazzo Spada and the anamorphoses that define the corridors and walls of Minim and Jesuit buildings, The Deformation explores what this intriguing phenomenon reveals about contemporary religious belief, optics, and the natural sciences, as well as wider questions about attention and discernment. Failing to conform to an established ideal, deformations required a "reformation" to achieve that ideal. Anamorphic deformations, for example, could only be reformed into clarity when viewed from a particular angle or through a special mirror. Susanna Berger examines how deformations were experienced by beholders, and how they were embraced or opposed by critics. The book shows how deformations and related works--whether altar tabernacles, ephemeral religious architecture, churches, monumental sundials, colonnades with accelerated perspective, illusionistic frescoes, turned ivories, or painted anamorphoses--focused observers' attention on theological mysteries and the social power and sophistication of patrons. The book's rich illustrations include two gatefolds and some anamorphic images that can be seen without distortion by using an included reflective insert as a mirror. Looking at writings as well as visual works in multiple artistic media not typically considered in relation to each other, The Deformation offers a new interpretation of deformation that highlights the delay between perception and discernment.
590__‡aAdded to collection customer.56279.3
650_0‡aCounter-Reformation and art.
650_7‡aBaroque & Rococo.‡2bisacsh
650_7‡aHistory.‡2bisacsh
650_7‡aARCHITECTURE.‡2bisacsh
650_7‡aChristian Church.‡2bisacsh
650_7‡aRELIGION.‡2bisacsh
650_7‡aSCIENCE.‡2bisacsh
650_7‡aART.‡2bisacsh
650_7‡aART / History / Baroque & Rococo‡2bisacsh
77608‡iPrint version:‡aBerger, Susanna, 1984-‡tDeformation.‡dPrinceton, New Jersey : Princeton University Press, [2025]‡z9780691201016
850__‡aSUTCL
85640‡3EBSCOhost‡uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=4124238‡zE-book
910__‡aGeneral Education
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183309N7862 .B47 2025E-Bookศูนย์บรรณสารฯ มทส. ออนไลน์   No Paper
 
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